Archive for the 'VFX / CG' Category

Latest Guinness Ad

The Mill does the latest Guinness spot.

Guiness Music Machine

This quite accurately describes what is happening when i drink a nice cold Guinness.

Steve Cope directs the latest Guinness ad ‘Music Machine’

Snickers Red Light Green Light Spot

I haven’t seen an Ads for a while. I thought this one was pretty neato.

don't stop

Check it out on YouTube:

YouTube - Snickers Red Light Green Light 8-)

If anyone has a link to a hi-res version of the spot, drop me a line. :)

What’s been going on at The Mill…

It’s been a while since I’ve posted any news from the major VFX studios, and The Mill has been up to alot. Here’s a bit of an update.

Mill Paint Effects For Infiniti

Infiniti - splashing up paint

Read More…

The Most Intelligent Ad Ever?

Johnnie Walker android

Read More…

The Mill also created a spot for the Audi A5:

Audi A5 lines

The-Mill.com

The Monkey & Al

the Monkey & Al return?

History of Death Star prop

This is a bit interesting. The story of how the original Star Wars Death Star model wound up in some guy’s parents house at Missouri Ozarks. :o

The most powerful battlestation every constructed...

... in my parents living room!

DEATH STAR PROP: EPISODE I - RAIDERS OF THE LOST DEATH STAR

And the story continues, check out parts II and III…

DEATH STAR PROP: EPISODE II - THE DEATH STAR LIVES INSIDE MY PARENTS HOUSE

DEATH STAR PROP: EPISODE III - THE DEATH STAR’S KEEPER

A Short

It’s been a while since any shorts have been posted here, time to start a watchin’ again!

La Marche Des Sans-Nom, a short film

Entitled “La Marche Des Sans-Nom”, this is a short by L. Vigroux, N. Laverdure and J. Constantial, showing their view of war and the destiny of soldiers at war.

After being in an animation vacuum for a while, then coming along and finding great work like this, it’s not hard to remember why I love animation. 8-)

La Marche Des Sans-Nom (direct link, WMV, 21.9MB)

Two Tones

Long time extremely frequent YouTube viewers may have seen this one… posted back in June ‘06…

two tones totally terrific TV!

I haven’t been surfing for any kind of motion graphics/VFX lately, this one gave me a laugh. :)

YouTube - Two Tones

The Outsider - character art

Check out this great character art from tortilla1 on the ZBrushCentral forums!

The Outsider

Check out all his other character art at the ZBrush forums.

Shake 4.1 - the end of the line

The node-based compositing app, Shake has seen it’s last version upgrade as it hits 4.1 and is released as a Universal Binary.

advanced digital compositing

Rumors were that Shake would be dropped by Apple as the development team was scaled back. But it’s not the end of Apple’s domination of the high-end compositing market. Replacement software is apparently under development, codenamed Phenomenon. This looks like it’ll be based on the current Motion code, but won’t be released until 2008.

I’ll miss seeing the massive node trees… although I’m sure Apple wouldn’t drop the much-loved node-based solution, unless they’ve come up with something better. ;)

a very small part of the big picture

Oh yes, almost forgot to mention one last change to Shake 4.1. The price. It’s dropped. Previously $4499, Shake 4.1 is now available for $769. :mrgreen:

Football madness @ The Mill

Not too long to go now, World Cup fever has swept over The Mill as they churn out a whole bunch of football related spots.

Mill create a football dream

Mill Create A Football Dream

Mill Pay Homage to Old Lions

Mill Creates Impossible Team for Adidas

The Mill Help the Worlds Best Players to Joga Bonito

The True Cost of CGI

This is an audio interview from December 2005 last year. An interesting view on the state of Hollywood visual effects.

It’s the same story, visual effects seem to be mandatory in today’s movies to woo crowds into the cinema’s, but they also eat into the budget and may force Directors to use a scene that they don’t really want to, or in a way that they’d prefer not to. But of course if the VFX department was setup properly it would allow the Director to have input throughout the course of the creation of the effects.

Slate’s Hollywood Economist: True Cost of CGI